Nevertheless, it became the band’s first number one album in the U.K., presumably due to their status as an an underground live act. Nick Deriso, in an review, summed up the album rather concisely: “Pink Floyd’s Atom Heart Mother marks the final signpost for a period of broad and sometimes aimless experimentation following the departure of Syd Barrett.” One result was that it was also the final Floyd album produced by Norman Smith, as the band sought more control over their recording process. Recorded at Abbey Road Studios, this was Pink Floyd’s fifth release, and the follow up to the sprawling, disjointed double LP Ummagumma. Pink Floyd’s Atom Heart Mother, released 50 years ago today, is one example. It must be a mark of an extraordinary band to have created such a legendary collection of albums that noncompletists like myself actually make a point of trying to like the portions of their catalog that are almost universally disliked, or at least overlooked, including by the musicians themselves.
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